it was an opportunity to slow down and really look. I was interested in the subtle changes of color across the face, the warmth of the skin against the cooler lavender background, and the way light moves across the features.
I love the challenge of painting flesh tones. They are never simply one color. There are warm and cool passages, unexpected notes of violet, rose and ochre, all working together to create a sense of life and dimension.
Color is always where I begin. In this painting, I wanted the palette to feel connected and harmonious while allowing the personality and presence of the model to come through.
Details
oil on Linen
11” x 14”
it was an opportunity to slow down and really look. I was interested in the subtle changes of color across the face, the warmth of the skin against the cooler lavender background, and the way light moves across the features.
I love the challenge of painting flesh tones. They are never simply one color. There are warm and cool passages, unexpected notes of violet, rose and ochre, all working together to create a sense of life and dimension.
Color is always where I begin. In this painting, I wanted the palette to feel connected and harmonious while allowing the personality and presence of the model to come through.
Details
oil on Linen
11” x 14”
